Wood and Acrylic Latex Paint, dimensions variable, 2017. This piece, made up of three free-standing sculptures, is a visualization of the popular vote breakdown in Michigan, Pennsylvania, and Wisconsin in the 2016 presidential election. The height of each base is representative of the number of electoral votes of each state. The height of the smaller blue, red, and gray columns …
Transition of Power (From Hope to Highrise Demagogy)
Wood and Acrylic Latex Paint, dimensions variable, 2008 and 2017. The two sculptures comprising Transition of Power (From Hope to Highrise Demagogy) are extruded favicons for political campaigns. A favicon (“favorite icon”) is a 16-pixel by 16-pixel logo that appears alongside the URL or inside the tab in most browsers. Here, a block of wood represents each pixel of the favicon, …
RGB and Sometimes Y, Sudoku Series Sculpture No. 2
Acrylic enamel on wood, 35″h x 14″w 17½”d, 2014. Floor detail, with RGB and Sometimes Y, Sudoku Series Sculpture No. 1 in the background.
RGB and Sometimes Y: Packing Objects
Found Styrofoam Packing, Colored Duct Tape, 2012. RGB and Sometimes Y: Packing Object No. 1 RGB and Sometimes Y: Packing Object No. 2 RGB and Sometimes Y: Packing Object No. 3 RGB and Sometimes Y: Packing Objects (All Three)
Model for a Temple to Your Online Overlord
Wood, 20½”h x 22¾”w x 22¾”d, 2011.
Obama’s Online Surge: ‘Booking, ‘Tubing, and Tweeting for Your Support
Wood and acrylic latex paint, 60″ x 36.25″ x 7″, 2008. Obama and McCain sculptures, installed side-by-side for Mechanical Perceptions at FotoFest (Houston, TX).
McCain’s MySpace Interrupted by My McCainSpace
Wood and acrylic latex paint, 60″ x 36.25″ x 6.75″, 2008. Obama and McCain sculptures, installed side-by-side for Mechanical Perceptions at FotoFest (Houston, TX).
Building a Better America (Two Plans)
Wood and Acrylic Latex Paint, dimensions variable, 2008. Photos by Chuy Benitez.
Guns guard Damien Hirst’s lamb at BCAM
Wood and Acrylic Latex Paint, 12.5″ x 42″ x 28″, 2008. Sculpture inspired by a 2008 article published by the Los Angeles Times.